DSKR CREATIVE
DSKR CREATIVE
DSKR Creative is an experimental AI creative agency outputing storyboards, lookbooks, and generative visual systems for brands and creative teams. Rooted in broadcast post-production discipline, the work translates emerging tools into brand-led creative strategy and direction. Founded by Matt Giordano.
I DID THE MOTION =)
I DID THE MOTION =)
DSKR CREATIVE
DSKR CREATIVE
DSKR CREATIVE
SYSTEM OVERVIEW
CUSTOM LORAS ARE TRAINED TO STABILIZE SILHOUETTE,
FABRIC BEHAVIOR, AND LIGHTING, ALLOWING
GENERATIVE IMAGERY TO HOLD TOGETHER ACROSS
VARIATION RATHER THAN DRIFT STYLISTICALLY.
EARLY CONCEPTS ARE EXPLORED IN MIDJOURNEY AS A
VISUAL SKETCH LAYER, THEN REFINED IN KIVE
TO DEFINE COMPOSITION, PACING, AND
BRAND ALIGNMENT. FROM THERE,
TIGHTLY CURATED DATASETS ARE ASSEMBLED FOR TRAINING,
ENSURING FORM, TEXTURE, AND
ILLUMINATION REMAIN CONSISTENT ACROSS DIFFERENT
COMPOSITIONS AND PROMPTS.
FINAL IMAGERY IS GENERATED THROUGH CUSTOM COMFYUI GRAPHS,
BUILT TO CONTROL CONDITIONING,
VARIATION, AND OUTPUT STRUCTURE. THIS
ALLOWS IMAGES TO BE PRODUCED AS COHESIVE SETS, NOT
ISOLATED FRAMES, MAINTAINING A UNIFIED VISUAL LANGUAGE
ACROSS AN ENTIRE SERIES OR CAMPAIGN.
VIACOM VICE VIRTURE
GENERTIVE AI WORK=))))
Real-time visual systems for generative AI
Real-time visual systems for generative AI
GENERTIVE AI WORK=))))
GENERTIVE AI WORK=))))
REAL-time generative visuals in cables.gl, combining post-production sensibilities with interactive WebGL systems. These visuals are designed for the web and digital environments, using texture displacement, feedback, and controlled motion to create immersive yet refined experiences. The approach bridges motion design, experimental imagery, and interactive storytelling, with an emphasis on performance, clarity, and visual tone.
PEPSI
PEPSI
Before DSKR Creative, Matt giordano OUR FOUNDER worked on a campaign for Pepsi WITH Velocity, Viacom’s in-house creative agency. The project was led by Creative Director Spencer Parker, with Lead Editor Sarah Juliet Luce, whose vision and leadership set the creative bar for the entire campaign.
Working in post-production and editing, I helped shape how a global brand like Pepsi communicates—where scale brings responsibility, and every creative choice must be intentional, precise, and resonant. Contributing to that voice meant understanding how to speak clearly and confidently on behalf of a brand recognized worldwide.
Being trusted to help craft messaging at that level was both energizing and formative, and it continues to inform how I approach storytelling and brand communication today at DSKR Creative.
OVER 1 BILLION VIEWS WOLRD WIDE =))))))
OVER 1 BILLION VIEWS WOLRD WIDE =))))))
SOUND CLOUD DAYS =)))))))))))
BEFORE THE MUSIC VIDEO COMES THE VISUALIZER BRANDING/MUSIC IN PEAK SOUND CLOUD ERA WITH 88 RISING
EDITING AND COMPOSTING DONE BY MATT GIORDANO =)))))))))
Matthew Giordano’s practice is grounded in a background in visual art and critical image-making, shaped early on through mentorship under Fia Backström . This foundation established a sensitivity to authorship, reference, and the politics of imagery — an approach that continues to inform how systems, aesthetics, and visual narratives are constructed within his work today.
Alongside this artistic grounding, Giordano spent years working in broadcast post-production at Viacom and BET, contributing to globally distributed programming across entertainment, unscripted, and live formats. Operating inside high-pressure, large-scale media environments sharpened a systems-oriented mindset — one focused on pacing, consistency, and delivery at scale.
These parallel backgrounds now converge in DSKR Creative, where generative technologies are treated not as novelty tools but as production systems. Artistic intent, editorial discipline, and